What do Fernando Solanas and Octavio Getino mean by ‘Third Cinema’ and how does it differ from ‘First Cinema’ and ‘Second Cinema’?
Identify and briefly explain at least 3 problems with the categorization of cinema as ‘first,’ ‘second’ and ‘third’.
Why did Cinema Novo filmmakers criticize films made by the Vera Cruz film studio?
What makes How Tasty Was My Little Frenchman representative of Cinema Novo, specifically of the Tropicalist phase of Cinema Novo?
According to Michael Wintroub, how does Nelson Pereira dos Santos use the trope of cannibalism and a faux-newsreel style to criticize European colonialism and imperialism?
What was the most dominant genre in German cinema after WW2 and why?
What are the 6 main ways in which New German Cinema challenged the notion of an essential, internally unified German national identity?
Why are psychoanalytical concepts like ‘projection’, ‘identification’, ‘transference’ and ‘counter transference’ important for understanding Fassbinder’s films? Specifically, how does he represent ‘victims’ and ‘oppressors’ in his films?
Why is the act of looking, and the Look as such, important to understanding Fassbinder’s films? Give examples from Ali: Fear Eats the Soul.