Question: Explain why Modernism is related to urban development, tell about artworks, visual or literary that demonstrate this connection.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.

In the late 19th and early 20th centuries, many artists began to experiment with new ways of expressing themselves. This period, known as Modernism, was marked by a rejection of traditional values and conventions. Many Modernist artists were drawn to urban environments, which they saw as sites of creative potential and social change.

Some of the most iconic works of Modernist art depict urban scenes. For example, American painter Edward Hopper's "Nighthawks" (1942) is set in a New York City diner, while French artist Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) captures the leisurely atmosphere of a park in Paris.

These and other works of Modernist art suggest that cities can be places of both excitement and alienation, full of both possibilities and problems. As our world becomes increasingly urbanized, the question of how to live in cities remains as relevant as ever.