Photographs and Meaning: How is meaning constructed, made, manipulated and received. Can a photograph ever have one meaning?
Please draw upon visual sources (examples of photographs), artists, and critical theory to formulate your response. You will need a central thesis or argument that you frame around your theme/method and artwork. Please draw upon different examples of artworks, photographers, museums, archives etc. You may select one central example or a variety of examples to research.
Format
8 Page Research Paper
1.5 Spacing, 12 Point Font, Time New Roman
Bibliography of 5-7 strong* sources
Bibliographic Requirements
- 5-7 Academic sources
- At least three academic journals (peer-reviewed)
- At least 2 academic books
African Bodies / African
Nature
Nationality, Physical Type and Aesethtic Value are combined into an iconography of
naturalized racism
Theory
-ARCHIVE
-WORLD AS PICTURE
-CONTEXTUAL PHENOMENOLOGY
-PHOTOGRAPH AS TRUTH
-TRANSCULTURATION
It is an art history that crosses the triple border of things, self and culture; or rather, it is an art
history that traces the triple projection of things, self and culture in artworks and images. It
also explores the differences in the interpretation of social topics from the photographer's
personal perspective under direct photography, through the different cultural backgrounds
and ideologies of the photographers.
-POLYPHONY
Convey multiple expressions of explicit features and implicit meanings of the object being expressed.
The most characteristic feature is that the objective object is changed into the material or "original" for shaping the subjective image. In "polyphotography", the symbolic meaning of the objective object has been taken over by the subjective vision of the photographer, thus taking on a new symbolic meaning, which to some extent appropriates the original symbolic value of the subject.
-HISTORY AS CONTEXT
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